Cameron Carpenter is having a ball smashing the stereotypes of organists and organ music, and all the while generating international acclaim and controversy unprecedented in his field. Cameron’s repertoire – from the complete works of J. S. Bach to film scores, his original compositions and hundreds of transcriptions and arrangements – is probably the largest and most diverse of any organist. He is the first ‘concert organist’ in history to prefer the digital organ to the pipe organ, and to champion it as the future of the instrument.