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Paul Cauthen
Venue: Gruene Hall
Event Phone: (830) 606-1281
Admission Price: $30.00
Purchase Tickets: https://gruenehall.thundertix.com/e...
Country
Making Room 41 nearly killed Paul Cauthen. Ironically enough, it’s also the very thing that saved him. Cauthen has long been a pusher of boundaries (musical and otherwise), and Room 41 is no exception, with electrifying performances that blend old-school country and gritty soul with 70’s funk and stirring gospel. Cauthen lived every single line of this record, and he’s survived to tell the tale. Cauthen first earned his reputation as a fire-breathing truth-teller with the acclaimed roots rock band Sons of Fathers, but it wasn’t until the 2016 release of his solo debut, My Gospel, that he truly tapped into the full depth of his prodigious talents. The album landed on a slew of Best Of lists at the year’s end and earned festival appearances from Austin City Limits and Pickathon to Stagecoach and Tumbleweed along with dates opening for Elle King, Margo Price, Midland, Cody Jinks, Social Distortion and more. He followed it up two years later with Have Mercy, an album that prompted Rolling Stone to dub him “one of the most fascinating, and eccentric, new voices in country music” and NPR’s Ann Powers to proclaim 2019 as “the year of Paul Cauthen.” As his professional life reached new heights, though, Cauthen’s personal life hit new lows, and he soon found himself drifting without a home. Checked in to room 41 at the Belmont, he began escalating his self-destructive tendencies, medicating heartbreak and anxiety with alcohol and drugs as he ground himself into oblivion. Cauthen credits his survival in no small part to his collaborators on the album, a wide range of writers, musicians, and producers who rallied around him and believed in his work enough to help him see it through. The production credits alone read like a who’s who of modern Texas music, including Niles City Sound (Leon Bridges, Nicole Atkins), Matt Pence (Jason Isbell, Nikki Lane), and Beau Bedford and Jason Burt, Cauthen’s longtime creative foils at Dallas’ Modern Electric studio. These days, Cauthen is out of the hotel, but he still carries the lessons he learned in room 41 everywhere he goes, approaching life with a newfound gratefulness and living in the moment with an appreciation for the present that might have seemed impossible even just a year ago.
Making Room 41 nearly killed Paul Cauthen. Ironically enough, it’s also the very thing that saved him. Cauthen has long been a pusher of boundaries (musical and otherwise), and Room 41 is no exception, with electrifying performances that blend old-school country and gritty soul with 70’s funk and stirring gospel. Cauthen lived every single line of this record, and he’s survived to tell the tale. Cauthen first earned his reputation as a fire-breathing truth-teller with the acclaimed roots rock band Sons of Fathers, but it wasn’t until the 2016 release of his solo debut, My Gospel, that he truly tapped into the full depth of his prodigious talents. The album landed on a slew of Best Of lists at the year’s end and earned festival appearances from Austin City Limits and Pickathon to Stagecoach and Tumbleweed along with dates opening for Elle King, Margo Price, Midland, Cody Jinks, Social Distortion and more. He followed it up two years later with Have Mercy, an album that prompted Rolling Stone to dub him “one of the most fascinating, and eccentric, new voices in country music” and NPR’s Ann Powers to proclaim 2019 as “the year of Paul Cauthen.” As his professional life reached new heights, though, Cauthen’s personal life hit new lows, and he soon found himself drifting without a home. Checked in to room 41 at the Belmont, he began escalating his self-destructive tendencies, medicating heartbreak and anxiety with alcohol and drugs as he ground himself into oblivion. Cauthen credits his survival in no small part to his collaborators on the album, a wide range of writers, musicians, and producers who rallied around him and believed in his work enough to help him see it through. The production credits alone read like a who’s who of modern Texas music, including Niles City Sound (Leon Bridges, Nicole Atkins), Matt Pence (Jason Isbell, Nikki Lane), and Beau Bedford and Jason Burt, Cauthen’s longtime creative foils at Dallas’ Modern Electric studio. These days, Cauthen is out of the hotel, but he still carries the lessons he learned in room 41 everywhere he goes, approaching life with a newfound gratefulness and living in the moment with an appreciation for the present that might have seemed impossible even just a year ago.
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Venue Details:
Past Event Times
Date | Time |
---|---|
Saturday June 5, 2021 | Start Time:9:00pmEnd Time:11:00pm |
Saturday May 26, 2018 | Start Time:8:00pmEnd Time:11:30pm |
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